Fringe review: ‘Two Bowls of Cereal and Some Bacon’ is a tender, explosive onstage memoir by a virtuoso solo performer
Must see When the lights are still down between scene changes in Mahmoud Hakima’s “Two Bowls of Cereal and Some Bacon,” you can see the...
Fringe review: ‘The Life Robotic,’ improvised around audience text messages, is a clever concept that mostly works out
Worth considering Audience participation and improv comedy go together like a [toss out a noun!] and a [you there, another noun!]. But “The Life Robotic”...
Fringe Review: ‘Defibrillator’ uses dance and puppets to show the panic and anxiety of an unexpected cardiac arrest
Must see In January 2021, playwright Jennie Ward suffered a cardiac arrest, the cause of which she still does not know. She wrote the play...
Fringe review: Both an album release and cacophonous journey, ‘Show Me Your Wings’ attempts to inspire you to be yourself
Worth considering Musician and theater artist Rhiannon Fiskradatz didn’t want to release her new album at a bar or coffee shop. Instead, in this production,...
Fringe review: ‘Everything Matters!!!’ questions fate and destiny, but mediocre humor and a confusing plot miss the mark
You can skip In Siobhan Kierans and Karol Laux’s “Everything Matters!!!” two women question whether life is made up of coincidences or fate and destiny after...
Fringe review: ‘All The Hullabaloo’ invites your inner child to play make-believe
Must see Return to childlike imagination with Corpus Dance Works’ “All The Hullabaloo.” The Twin Cities group’s performance is captivating and whimsical, as the dancers’...